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    Playing Be-Bop - Charlie Shoemake


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Playing Be-Bop
  Charlie Shoemake leaning on his vibraphone
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Charlie Shoemake

A new book on the intricacies of playing bebop music by one of the west coasts' master players and instructors.

Playing Be-Bop is $49.95*

Former students include...
Ted Nash (featured saxophone soloist with Wynton Marsalis Lincoln center Orchestra)
Andy Martin (leading jazz trombone soloist)
Kye Palmer (featured trumpet player on Jay Lenos Tonight Show band)
Randy Kerber (one of the top Hollywood recording studio keyboard artists)
David Koz and Richard Elliot (well known "smooth jazz" artists)

For more information, please Email us.

(*plus tax and shipping).


Comments on Charlie

A major voice of jazz vibraphone...
Scott Yanow, LA Jazz Scene

Charlie Shoemake, arguably the
most successful teacher of jazz improvisation in Southern California history, he is also a highly charged mallet man capable of blistering solos off the metronome markings...
Leonard Feather

Charlie has something going with not only his playing but his compositions as well that I haven't heard before. I think being on the west coast has hurt him as far as the recognition he should have. I know I'd like to play a lot more with him...
- Hank Jones

Charlie was a helluva musician when he was with my quintet but he's even better now...
- George Shearing

In Jazz, there've only been a few great players on the vibraphone. One of them is Charlie Shoemake.
- Artie Shaw


Forward

Almost from the very day that I left the George Shearing Quintet in 1973 and opened my jazz improvisation school in Sherman Oaks, California, I have been urged by students (and many musician friends) to write a book expressing my own theories on the subject. I've always resisted and for a variety of reasons. One, I thought there were already too many books about it (though, admittingly, most of them were "not so hot") on the market and two, I felt that for me to be able to help anyone with their improvising problems I would have to work with them in person on a one to one basis.

That being the case, why write one now? Again, a variety of reasons with the biggest being that I feel the jazz world is fraught with so many mistaken theories (especially harmonically) that if I can help some musicians by clearing up some confusion for them, I should. I hope this book is able to accomplish that goal.


Acknowledgements

My thanks to all my heros (Charlie Parker, Bud Powell, Fats Navarro, Sonny Rollins and the many more that are listed on my web-site) with a special thanks to Jimmy Rowles and Victor Feldman who, if it were not for them, not only would there by no book, there would not be a Charlie Shoemake... period!! Also thanks to Sandi Shoemake for her musical notation and so many other things.


» Table of Contents (PDF)

 

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